A day on the mountain with PullThatCork

Nancy and Peter Brazil (PullThatCork) came to visit and shared their thoughts here: http://pullthatcork.com/2016/smith-madrone/

Highlights include talking about Smith-Madrone’s history, the uniqueness of mountain soils and growing grapes on the slopes of a mountain, the hows and whys of row orientation, trellising, dry-farming and the Smiths’ approach to winemaking, with notes on the 2013 and 2014 vintages of Chardonnay and Riesling, 2012 Cabernet Sauvignon and 2009 Cook’s Flat.

“….When you taste Smith-Madrone wines you are tasting the style of wines the Smith brothers like to drink themselves, according to Charles…Skill, more than luck, accounts for the fine quality of their wines. They pay attention to every detail, beginning in the vineyard. They eagerly await the opportunity to begin tasting each vintage as fermentation proceeds; making observations, taking notes, planning changes for the next vintage. And while there is a overall consistency of style in the Smith-Madrone wines we tasted, there is definitely vintage variation, which is exactly as the Smiths would have it….”

and: “…Wine tasting at the winery requires a reservation, but you will be rewarded for planning ahead. The drive up Spring Mountain takes you away from the crowds of Napa Valley, the air is fresh and the mountain vineyards are beautiful. Wine tastings take place in the barrel room where the aromas of wine production accompany your tasting. If you are lucky Curly the winery dog will be there.  Taste these beautiful wines for yourself, I’m certain you will not be disappointed….”

 

 

Author: corkingnapa

Julie Ann Kodmur is a second-generation Californian who was born in San Francisco and grew up in La Jolla. As an eighth grader she was the runner-up in the state spelling bee. She’s lived in Italy and New York and now lives in the Napa Valley with her family. She is a marketing and publicity consultant in the wine industry. Her business life can be seen at http://www.julieannkodmur.com. This is the home for the overflow. The ‘title’ is a reference to a sculpture honoring an Argentinean journalist who practiced his craft in the 1930s before literally dying for his words. No such drama here, just hopefully some provocative fun.

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